Peter McAuley VFX Supervisor

Peter McAuley began his career as a summer student at the National Film Archives in Ottawa, where he worked on the declassified AVRO Arrow collection. Upon graduating, Peter moved on to be an Assistant Editor for a busy commercial house synching dailies on a Steenbeck. Eventually, he began editing his own commercials and music videos and became a partner at Daily Post. By the mid 90s Peter was signed on to shoot commercials and music videos around the globe as a VFX Supervisor. Working for The Mill, Framestore, MPC, Technicolor, Method, with top Directors on key shoots, including Drake’s Hotline Bling with Director X, Joe Pytka’s Budweiser Superbowl spot, and Bob Hooper’s Budlight Superbowl spot. Peter jumped in to longform in 2019, as a VFX Supervisor on Deepa Mehta’s FUNNY BOY (Array). FUNNY BOY received eight Canadian Screen Award (CSA) nominations, including Achievement in Visual Effects, Film. McAuley’s recent credits include Rachel Morrison’s FLINT STRONG (MGM), Jean-Francois Richet’s THE PLANE (Lionsgate) and David Cronenberg’s 2022 Cannes Film Festival opening feature CRIMES OF THE FUTURE. IMDB